Multicultural Shakespeare: Translation, Appropriation and Performance


Book Reviews


Shakespeare and Asia. Shakespeare Yearbook vol. 17, Eds. Yang Lingui, Douglas A. Brooks, Ashley Brinkman, New York: The Edward Mellen Press, 2010. Pp. Vii+528. ISBN-13: 978-0-7734-3726-5, ISBN-10: 0-7734- 3726-6 Abdulla Al-Dabbagh, Shakespeare, the Orient, and the Critics, New York and Oxford: Peter Lang, 2010. Pp. Ix + 148. ISBN978-1-4331-1059-7


Asbridge, T. The First Crusade: A New History. London: The Free Press, 2005.

Aslan, R. No god But God: The Origins, Evolution and Future of Islam. London: Arrow Books, 2006.

Greenblatt, Stephen. “Renaissance Self-Fashioning.” Cultural Studies: Approaches in Literary Theory. Ed. N. Gupta. New Delhi: Worldview – Bookland, 2004.

Honigmann, E. A. J. “Introduction.” Arden Edition of the Works of William Shakespeare: Othello. New Delhi: Arden Shakespeare – Cengage Learning; India Edition, 2008.

Mallin, E. S. Rev. of Shakespeare, Race, and Colonialism, by Ania Loomba. Shakespeare Quarterly 55 (2004): 352-355. Web. 17 Sep. 2012. http://www.jstor.org/stable/3844165

McEvoy, S. Shakespeare: The Basics. London: Routledge, 2000. Indian rpt. 2005.

Orgel, S. “Shylocks in Shakespeare’s England.” A Norton Critical Edition of William Shakespeare: The Merchant of Venice. Ed. L.S. Marcus. New York: W.W. Norton, 2006.

Pamuk, O. Other Colours: Writings on Life, Art, Books and Cities. Tran. M. Freely. London: Faber and Faber, 2007.

Rose, M. “Othello’s Occupation: Shakespeare and the Romance of Chivalry.” Viva Modern Critical Interpretations: William Shakespeare’s Othello. Ed. H. Bloom. New Delhi: Viva Books, 2007 (Indian edition).

Shakespeare. W. Antony and Cleopatra. Ed. M. R. Ridley. The Arden Shakespeare. London and New York: Methuen, 1965.

Singh, J. “Othello’s Identity, Postcolonial Theory and Contemporary African Rewritings of Othello.” New Casebooks: Othello. Ed. L. Cowen Orlin. New York: Palgrave Macmillan, 1965. Indian rpt. 2007.

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