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Multicultural Shakespeare: Translation, Appropriation and Performance University of Lodz
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Home > Arts_Humanities > MULTISHAKE > Vol. 12 (2015)

 

Volume 12 (2015)

Article

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Introduction
Magdalena Cieślak and Agnieszka Rasmus

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Re-gendering of the Nietzschean Übermensch in Shakespeare’s "Macbeth" and Marlowe’s "Tamburlaine"— the Case of Lady Macbeth and Zenocrate
Katarzyna Burzyńska

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Revenge, Rhetoric, and Recognition in "The Rape of Lucrece"
Christy Desmet

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Intersections of Politics, Culture, Class, and Gender in Shakespeare’s "Titus Andronicus", "The Taming of the Shrew", and "The Merchant of Venice"
Kay Stanton

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Holding a Mirror up to Nature? Adapting "The Taming of the Shrew" for Teenagers and Pedagogy
Agnieszka Rasmus

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"Hamlet" in Contemporary Turkey: Towards Postcolonial Feminist Rewrites?
Inci Bilgin

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Kenneth Branagh’s Multicultural and Multi-ethnic Filmed Shakespeare(s)
Jacek Fabiszak

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Silenced Voices: A Reactionary Streamlined "Henry V" in "The Hollow Crown"
David Livingstone

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Postcolonial Re-reading of the Marginalized Nation in William Shakespeare’s "King Lear"
Natalia Sabiniarz

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Chaucer and His Bastard Child: Social Disjunction and Metaliterariness in "The Two Noble Kinsmen"
Piotr Spyra

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Book Reviews
Chandrima Das, Samrat Laskar, Piotr Maszewski, Grzegorz Sikorski, and Anirban Bhattacharjee

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Theatre Reviews
Xenia Georgopoulou, Eleni Pilla, Urszula Kizelbach, and Jacek Fabiszak

 
 
 
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ISSN: 2083-8530

eISSN: 2300-7605

 
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