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Multicultural Shakespeare: Translation, Appropriation and Performance

References

As You Like It. Dir. Kenneth Branagh. BBC Films, 2006.

Branagh, Kenneth. Much Ado About Nothing by William Shakespeare. Screenplay, Introduction, and Notes on the Making of the Movie. New York–London: W.W. Norton & Company, 1993.

Branagh, Kenneth. Hamlet by William Shakespeare. Screenplay and Introduction. London: Chatto & Windus, 1996.

Crowl, Samuel. “Flamboyant Realist: Kenneth Branagh”. The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge University Press, 2000. 222-238.

Crowl, Samuel. Shakespeare and Film. A Norton Guide. New York–London: W.W. Norton & Company, 2008.

Hamlet. Dir. Laurence Olivier. Two Cities Films, 1948.

Hamlet. Dir. Kenneth Branagh. Castle Rock Entertainment, 1996.

Hatchuel, Sarah. Shakespeare, from Stage to Screen. Cambridge: Cambridge University Press, 2004.

Henry V. Dir. Laurence Olivier. Two Cities Films, 1944.

Henry V. Dir. Kenneth Branagh. Renaissance Films, 1989.

Kujawińska Courtney, Krystyna. “Ira Aldridge, Shakespeare, and Color-Conscious Performances in Nineteenth-Century Europe.” Colorblind Shakespeare: New Perspectives on Race and Performance. Ed. Ayanna Thompson. London and New York: Routledge, 2006. 103-122.

In the Bleak Midwinter. Dir. Kenneth Branagh. Castle Rock Entertainment, 1995.

Lehmann, Courtney. “Faux Show: Falling into History in Love’s Labour’s Lost.” Ed. Ayanna Thompson. Colorblind Shakespeare: New Perspectives on Race and Performance. London and New York: Routledge, 2006. 69-80.

Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford University Press, 2002.

Love's Labour’s Lost. Dir. Kenneth Branagh. Pathé /Arts Council, 2000.

The Magnificent Seven. Dir. John Sturges. Mirisch Company, 1960.

Much Ado About Nothing. Dir. Kenneth Branagh. Renaissance Films, 1993.

Othello. Dir. Stuart Burge. BHE Films, 1965.

Pittman, L. Monique. Authorizing Shakespeare on Film and Television, New York: Peter Lang Publishing, 2011.

Richard III. Dir. Laurence Olivier. London Film Productions, 1955.

Thompson, Ayanna. Passing Strange. Shakespeare, Race, and Contemporary America. Oxford–New York: Oxford University Press, 2011.

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