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Volume 21 (2020)

Article

From the Editor
Krystyna Kujawinska Courtney

A Cognitive Approach to Shakespeare Plays in Immersive Theatre: With a Special Focus on Punchdrunk’s "Sleep No More" in New York (2011-) and Shanghai (2016-)
Emi Hamana

Being European: "Hamlet" on the Israeli Stage
Reut Barzilai

When "Macbeth" Meets Chinese Opera: A Crossroad of Humanity
Li Xingxing

The Shifting Appreciation of "Hamlet" in Its Japanese Novelizations: Hideo Kobayashi’s "Ophelia’s Will" and Its Revisions
Mori Nakatani

Arboreal Tradition and Subversion: An Ecocritical Reading of Shakespeare’s Portrayal of Trees, Woods and Forests
Andoni Cossio and Martin Simonson

Dostoevsky in English and Shakespearean Universality: A Cautionary Tale
Chris Thurman

Leaving Readers and Writers in Peace: Translation of Religious Terms of Shakespeare’s "Coriolanus" into Arabic considering Venuti’s Invisibility
Rabab Mizher

Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"
Sabina Laskowska-Hinz

To "Hamlet" or Not to "Hamlet: Notes on an Arts Secondary School Students’ "Hamlet"
Estella Ciobanu and Dana Trifan Enache

Book Reviews
Yoshiko Matsuda, Lan Zhou, and Yasumasa Okamoto

Theatre Reviews
İlker Özçelik

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ISSN: 2083-8530

eISSN: 2300-7605

University of Lodz