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Title

Book Reviews

Abstract

Emi Hamana, Shakespeare Performances in Japan: Intercultural-Multi-cultural-Translingual. Yokohama: Shumpusha, 2019. Pp. 188.

Li Jun, Popular Shakespeare in China: 1993-2008. Beijing: University of International Business and Economics Press, 2016. Pp. 199.

Soji Iwasaki’s Japanese Translation of Shakespeare, The Sonnets and A Lover’s Complaint. Revised edition. Tokyo: Kokubunsha, 2019. Pp. 242.

References

Bhathia, Tej K., and William C. Ritchie. “Introduction.” The Handbook of Bilingualism and Multilingualism. Ed. Tej K. Bhathia and William C. Ritchie. Chichester: Wiley-Blackwell, 2014.

Levith, Murray J. Shakespeare in China. London: Continuum, 2004.

Li, Jun, and Julie Sanders. “Shakespeare Going Out Here and Now: Travels in China on the 450th Anniversary.” The Shakespearean International Yearbook 16. Ed. Tom Bishop, Alexa Huang, and Susan Bennett. London: Routledge, 2016. 109-128.

Empson, William. Seven Types of Ambiguity. 3rd. ed. London: Chatto and Windus, 1953.

Fowler, Alastair. Triumphal Forms: Structural Patterns in Elizabethan Poetry. Cambridge: Cambridge University Press, 1970.

Iwasaki, Soji. Shakespeare’s Iconology. Tokyo: Sanseido, 1994.

Iwasaki, Soji. Shakespeare’s Cultural History: Society, Theatre, Iconology. Nagoya: Nagoya University Press, 2002.

Kerrigan, John, ed. The Sonnets and A Lover’s Complaint. The New Penguin Shakespeare. Harmondsworth: Penguin Books, 1986.

First Page

173

Last Page

185

Language

eng

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