•  
  •  
 

Multicultural Shakespeare: Translation, Appropriation and Performance

References

Blake, Jason. “Local Take on Tale of Race and Rivalry”. Review of Othello, by William Shakespeare. Bell Shakespeare Company. Sun Herald 24 June, 2007.

Brown, Paul. “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism”. Political Shakespeare: New Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sinfield. Ithaca, New York and London: Cornell University Press, 1985. 48-71.

Cox, Emma. Interview with Nadine McDonald, Brisbane, Australia. 16 May, 2003.

Cox, Emma. Interview with Simon Phillips, Melbourne, Australia. 13 August, 2003.

Cox, Emma. Interview with Sue Rider, Brisbane, Australia. 20 May, 2003.

Cox, Emma. Interview with Wesley Enoch. Melbourne, Australia. 14 August, 2003.

Croggon, Alison. Review of Othello, by William Shakespeare. Bell Shakespeare Company. Theatre Notes 19 June 2007. 8 December, 2007. http://theatrenotes. blogspot.com/2007/06/review-othello-enlightenment.html

“Dark Drama Lurks in Trees”. Review of Othello, by William Shakespeare. Darwin Theatre Company. Northern Territory News/Sunday Territorian 27 May, 2006.

Filewod, Alan. “Receiving Aboriginality: Tomson Highway and the Crisis of Cultural Authenticity”. Theatre Journal 46 (1994): 363-73.

Fischlin, Daniel and Mark Fortier, eds. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London and New York: Routledge, 2000.

Galloway, Paul. “Storm Troupers”. Review of The Tempest, by William Shakespeare. Queensland Theatre Company. Brisbane News 6 October, 1999.

Gilbert, Helen. Sightlines: Race, Gender, and Nation in Contemporary Australian Theatre. Ann Arbor: University of Michigan Press, 1998.

Gilbert, Helen. “Reconciliation? Aboriginality and Australian Theatre in the 1990s”. Our Australian Theatre in the 1990s. Ed. Veronica Kelly. Amsterdam and Atlanta, GA: Rodopi, 1998. 71-88.

Gilbert, Helen. “De-scribing Orality: Performance and the Recuperation of Voice”. De-Scribing Empire: Post-Colonialism and Textuality. Ed. Chris Tiffin and Alan Lawson. London and New York: Routledge, 1994. 98-111.

Gilbert, Helen. “The Dance as Text in Contemporary Australian Drama: Movement and Resistance Politics”. ARIEL 23.1 (1992): 133-47.

Golder, John, and Richard Madelaine. “To Dote Thus on Such Luggage: Appropriating Shakespeare in Australia”. O Brave New World: Two Centuries of Shakespeare on the Australian Stage. Ed. John Golder and Richard Madelaine. Sydney: Currency Press, 2001.

Greenblatt, Stephen J. Learning to Curse: Essays in Modern Culture. New York and London: Routledge, 1990.

Griffiths, Gareth. “The Myth of Authenticity: Representation, Discourse and Social Practice”. De-Scribing Empire: Post-Colonialism and Textuality. Ed. Chris Tiffin and Alan Lawson. London and New York: Routledge, 1994. 70-85.

Hage, Ghassan. Against Paranoid Nationalism: Searching for Hope in a Shrinking Society. Sydney: Pluto Press, 2003.

Hanna, Michelle. Reconciliation in Olympism: Indigenous Culture in the Sydney Olympiad. Petersham, NSW: Walla Walla, 1999.

Harper, James. “In Spirit of the Times”. Review of The Tempest, by William Shakespeare. Queensland Theatre Company. The Courier-Mail 27 September, 1999.

Higson, Rosalie. “Aborigine Now Very Moorish”. Preview of Othello, by William Shakespeare, Bell Shakespeare Company. The Australian 8 May, 2007.

Higson, Rosalie. “All White on the Night”. The Australian 9 July, 2007.

Horsburgh, Susan. “Black Actors Tackle the Dream”. Preview of A Midsummer Night’s Dream, by William Shakespeare. Sydney Theatre Company. The Weekend Australian 21 December, 1996.

Huggan, Graham. The Postcolonial Exotic: Marketing the Margins. London and New York: Routledge, 2001.

Iaccarino, Clara. “He’s a Jolly Good Fellow”. Preview of Othello, by William Shakespeare. Bell Shakespeare Company. The Sydney Morning Herald 8 June, 2007.

Kelly, Veronica. “Puppy Love with Wit and Poetry”. Review of Romeo and Juliet, by William Shakespeare. La Boite Theatre-Kooemba Jdarra Indigenous Performing Arts. The Australian 27 April, 1999.

Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. London and New York: Routledge, 1992.

Kizilos, Katherine. “Clawing at the Soul”. The Age 26 May, 2007: 17.

Langton, Marcia. “‘Well, I Heard It on the Radio and I Saw It on the Television…’: An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and About Aboriginal People and Things”. Woolloomooloo, NSW: Australian Film Commission, 1993.

Lewis, Tom E. “Walking with Spirits: Letter of Support”. Australian Shakespeare Company 3 June, 2004. 3 October 2009. http://australianshakespearecompany.com.au/

Loomba, Ania and Martin Orkin. “Introduction: Shakespeare and the Post-Colonial Question”. Post-Colonial Shakespeares. Ed. Ania Loomba and Martin Orkin. London and New York: Routledge, 1998. 1-19.

Lucashenko, Melissa. “Black on Black: An Interview with Melissa Lucashenko”. Meanjin 3 (2000): 112-118.

McCallum, John. “Smoking Ceremony Ignites Festival’s Magical Fire”. Review of A Midsummer Night’s Dream, by William Shakespeare. Sydney Theatre Company. The Australian 18 September, 1997.

McCarthy, Phillip. “Creating a Timeless Dream”. Preview of A Midsummer Night’s Dream, by William Shakespeare. The Sydney Morning Herald 28 June, 1997.

Mead, Philip and Marion Campbell, eds. Shakespeare’s Books: Contemporary Cultural Politics and the Persistence of Empire. Melbourne: University of Melbourne, 1993.

Milne, Geoffrey. “The Festival of the Dreaming: Intimate, Contemporary, True”. Australasian Drama Studies 37 (2000): 27-39.

Morgan, Joyce. “A Black and White Tale of Star-Crossed Lovers”. Review of Romeo and Juliet, by William Shakespeare. Bell Shakespeare Company. The Sydney Morning Herald 26 May, 1999.

Morgan, Joyce. “Sweet Dreams”. Weekend Australian Review 13-14 September, 1997.

Morgan, Joyce. “This is a Tip of the Iceberg”. Review of the Festival of the Dreaming, dir. Rhoda Roberts. The Sydney Morning Herald 7 October, 1997.

Myers, Allen. “Shakespeare Meets the Rainbow Serpent”. Review of A Midsummer Night’s Dream, by William Shakespeare. Green Left Weekly 1997. 21 May, 2004. www.greenleft.org.au/back/1997/291p25bhtm2003

Neill, Rosemary. White Out: How Politics Is Killing Black Australia. Crows Nest NSW: Allen & Unwin, 2002.

“Othello Arrives”. Preview of Othello, by William Shakespeare. Darwin Theatre Company. Darwin Palmerston Sunday 31 May, 2006.

“Othello: Cover Story”. Canberra Times 16 February, 2007.

Parr, Bruce. “The Tempest”. Review of The Tempest, by William Shakespeare. Queensland Theatre Company. Shakespeare Bulletin 18.1 (2000): 42-43

Payne, Pamela. “A Dream Start”. Review of A Midsummer Night’s Dream, by William Shakespeare. Sydney Theatre Company. Sun-Herald 21 September, 1997.

Perera, Suvendrini. “Acting Sovereign”. Our Patch: Enacting Australian Sovereignty Post-2001. Ed Suvendrini Perera. Perth: Network Books, 2007.

“Performance Notes: Shakespeare’s The Tempest”. Queensland Theatre Company, 1999. 18 November, 2004. http://www.qldtheatreco.com.au/dbres/ed/TempestNotes.pdf

Perkin, Corrie. “Old Tale of Othello Still Ringing True”. The Australian 2 June, 2007.

Perkins, June. “7 Valleys of Nurturing: Exploring the Performing Arts Philosophy of Wesley Enoch: A Profile”. Australasian Drama Studies 37 (2000): 22.

Programme Note. Shakespeare’s The Tempest: Queensland Theatre Company. 1999. 21 December, 2004. http://www.qldtheatreco.com.au/dbres/prog/PGTempest.pdf

Roberts, Rhoda. “A Passion for Ideas: Black Stage”. The 1997 Rex Cramphorn Memorial Lecture. Australasian Drama Studies 32 (1998): 8.

Schafer, Elizabeth. “Reconciliation Shakespeare? Aboriginal Presence in Australian Shakespeare Production”. Playing Australia: Australian Theatre and the International Stage. Ed. Elizabeth Schafer and Susan Bradley Smith. Amsterdam and New York: Rodopi, 2003. 63-78.

Shakespeare. The Tempest. Ed. Stephen Greenblatt et al. The Norton Shakespeare: Based on the Oxford Edition. New York and London: Norton, 1997.

Taylor, Andrew. “Australia Needs Moor”. Sunday Herald 20 May, 2007.

Taylor, Catherine. “Mailman Delivers”. The Weekend Australian 25 October, 1997.

Tovey, Noel. Personal correspondence with Emma Cox. 27 September, 2003.

Tweg, Sue. “Dream On: A ‘Reconciliation’ Tempest in 2001”. Contemporary Theatre Review 14.3 (2004): 45-52.

Usher, Robin. “Black Despair in Bard Language”. Review of The Tempest, by William Shakespeare. Melbourne Theatre Company. The Age 24 April, 2001.

Waites, James. “Forest Fantasy a Fresh Success”. Review of A Midsummer Night’s Dream, by William Shakespeare. Sydney Theatre Company. The Sydney Morning Herald 17 September, 1997.

Weaver, Jace. “Indigenousness and Indigeneity”. A Companion to Postcolonial Studies. Ed. Henry Schwarz and Sangeeta Ray. Malden, MA and Oxford: Blackwell, 2000. 221-35.

Whitehead, Drew. “Transplanting Prospero: QTC’s ‘The Tempest’”. Review of The Tempest, by William Shakespeare. Queensland Theatre Company. M/C: A Journal of Media and Culture 11 October, 1999. 2 November, 2003. http://reviews.media-culture.org.au/events/tempest.html

Wilson, Ashleigh. “Moor to Lewis than One Act”. The Australian 29 May, 2006.

Wolfe, Patrick. “Nation and MiscegeNation: Discursive Continuity in the Post-Mabo Era”. Social Analysis 36 (1994): 93-152.

Yanko, Suzanne. Review of Othello, by William Shakespeare. Bell Shakespeare Company, MX (Australia) 7 June, 2007: 25.

First Page

71

Last Page

92

Language

eng

Share

COinS