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“But what a place / to put a piano”: Nostalgic Objects in Robert Minhinnick’s "Diary of the Last Man"
Agata Handley

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What Ever Happened to My Peace of Mind? Hag Horror as Narrative of Trauma
Tomasz Fisiak

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Review of "White" by Bret Easton Ellis
Mark Tardi

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Joe Brainard’s "I Remember", Fragmentary Life Writing and the Resistance to Narrative and Identity
Wojciech Drąg

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“Let me hear Thy voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs
Dorota Filipczak

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Theater Without a Script—Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States
Magdalena Szuster

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“You’ll never meet someone like me again”: Patty Jenkins’s "Monster" as Rogue Cinema
Michelle D. Wise

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Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
Jason Blake

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Spaces of (Re)Connections: Performing Experiences of Disabling Gender Violence
Nicole Fayard

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The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s "Scorpio Rising" and Steven Spielberg’s "Duel"
Kornelia Boczkowska