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Abstract

Timeless Radcliffe: A Review of Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge UP, 2014) - Tomasz Fisiak

Yeats’s Genres and Tensions: A Review of Charles I. Armstrong’s Reframing Yeats: Genre, Allusion and History (London and New York: Bloomsbury, 2013) - Wit Pietrzak

Review of Anna Pochmara’s The Making of the New Negro: Black Authorship, Masculinity, and Sexuality in the Harlem Renaissance (Amsterdam: Amsterdam UP, 2011) - Antoni Górny

“Artful Exaggeration” - Krzysztof Majer (University of Łódź) Interviews Bill Gaston

Transcultural Theatre in the UK - Uilleam Blacker Talks to Joanna Kosmalska (University of Łódź)

Disciplines

Arts and Humanities | Social and Behavioral Sciences

References

Keats, John. Selected Letters. Ed. Robert Gittings. Oxford: Oxford UP, 2002. Print.

Maszewska, Jadwiga. Editorial. Text Matters: A Journal of Literature, Theory and Culture 5 (2015): 7–10. Print.

Snodgrass, Mary Ellen. Encyclopedia of Gothic Literature: The Essential Guide to the Lives and Works of Gothic Writers. New York: Facts on File, 2011. Print.

Foster, Roy F. W. B. Yeats: A Life. Volume II: The Arch-Poet. Oxford: Oxford UP, 2005. Print.

Gould, Warwick. “The Mask before The Mask.” Yeats Annual 19 (2013). 3–47. Print.

Yeats, W. B. The Collected Works of W. B. Yeats, Volume I: The Poems. Ed. Richard J. Finneran. New York: Scribner, 1996. Print.

Yeats, W. B. The Collected Works of W. B. Yeats: Volume V: Later Essays. Ed. William H. O’Donnell. New York: Scribner, 1994. Print.

Blacker, Uilleam. Bloody East Europeans. Dir. Olesya Khromeychuk. London: Molodyi Teatr, 2014. Play.

Blacker, Uilleam, and Olesya Khromeychuk. Penetrating Europe, or Migrants Have Talent. Dir. Olesya Khromeychuk. London: Molodyi Teatr, 2016. Play.

Celebration of Artistic Resistance. Performance based on works by Soviet Ukrainian and Russian dissident poets, Lina Kostenko, Vasyl Stus, Evgeny Evtushenko, Hayim Nahman Bialik. Dir. Olesya Khromeychuk. London: Molodyi Teatr, 2012. Play.

Den’ nezalezhnosti/Independence Day. Performance based on works of contemporary Ukrainian poets, Yuri Andrukhovych, Serhii Zhadan and Oleksandr Irvanets. Dir. Olesya Khromeychuk. London: Molodyi Teatr, 2011. Play.

Gogol, Nikolai. Nich pered rizdvom (The Night before Christmas). Trans. and dir. Olesya Khromeychuk. London: Molodyi Teatr, 2010. Play.

Gogol, Nikolai. Propala Hramota (The Lost Letter). Trans. and dir. Olesya Khromeychuk. London: Molodyi Teatr, 2011. Play.

Khromeychuk, Olesya, Holodomor. Performance based on testimonies of survivors of the famine in Ukraine in 1932–33. London: Molodyi Teatr, 2013. Play.

Khromeychuk, Olesya. The Other Half of the Maidan. Performance based on interviews with women who participated in the Maidan protests. London: Molodyi Teatr, 2015. Play.

Moia mova/My Language. Performance based around several basic words in English, French, Ukrainian, Russian, Polish and Hebrew. Dir. Olesya Khromeychuk. London: Molodyi Teatr, 2012. Play.

Shevchenko, Taras. Son (Komedia) (The Dream [A Comedy]). Dir. Olesya Khromeychuk. London: Molodyi Teatr, 2013. Play.

First Page

293

Last Page

319

Language

eng

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