Number 7 (2017) Drama, Performance, Media / Emma & Edvard
Article
Sensing the Present: “Conceptual Art of the Senses”
Mieke Bal and Rachel E. Burke
Flaubert’s Provocation
Jonathan Culler
Attention for Distraction: Modernity, Modernism and Perception
Ernst Van Alphen
Timespace for Emotions: Anachronism in Flaubert, Bal/Williams Gamaker, Munch and Knausgård
Miguel Ángel Hernández Navarro
Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch
Griselda Pollock
Responding to Modern Sensibilities: Emma and Edvard Entangled
Patricia G. Berman
Authority in Crisis? The Dynamic of the Relationship Between Prospero and Miranda in Appropriations of The Tempest
Magdalena Cieślak
The Cultural Role and Political Implications of Poland’s 1947 Shakespeare Festival
Krystyna Kujawińska Courtney
Shakespeare and the Demonization of Fairies
Piotr Spyra
Wawel Meets Elsinore. The National and Universal Aspects of Stanisław Wyspiański’s Vision of Shakespeare’s Hamlet
Andrzej Wicher
The Paramount Role of Translation in Modern Opera Productions
Aleksandra Ożarowska
Drama is for Life! Recreational Drama Activities for the Elderly in the UK
Persephone Sextou and Cory Smith
Theatre as Contagion: Making Sense of Communication in Performative Arts
Małgorzata Sugiera
“Being Human”: Edward Bond’s Theories of Drama
David Allen and Agata Handley
Caryl Churchill’s Artificial and Orificial Bodies: Between Subjective and Non-Subjective Nobody’s Emotion or Affect
Ewa Kębłowska-Ławniczak
Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama
Edyta Lorek-Jezińska
Pinteresque Dialogue
Jadwiga Uchman
Éowyn and the Biblical Tradition of a Warrior Woman
Dorota Filipczak
Editors
- Editor-in-Chief: Dorota Filipczak (University of Lodz)
- Guest editors:
- Andrzej Wicher
- Rachel E. Burke