Polish Title

Cienka linia między czerwienią a mrokiem: antykomunistyczna turystyka filmowa

Author ORCID Identifier

http://orcid.org/0000-0002-3324-7486 Handayani Bintang

https://orcid.org/0000-0002-8091-2418 Costa Jean Henrique


This study explores the ‘30 September Movement’ that staged a communist coup in 1965 as travel motivation for an anti-communism museum. ‘Framing’ and ‘uses and gratifications’ theories were used for this case study. The findings concluded that negative film plots and scenes are signature themes that can be used as attributes of red or dark film motivations for tourism. The use of theories, such as ‘framing’ and ‘uses and gratifications’, along with reflexive thematic analysis has provided unique and valuable theoretical insights that may be overlooked by other analyses.

Polish Abstract

W niniejszej pracy został zgłębiony temat Ruchu 30 Września – ruchu politycznego odpowiedzialnego za nieudaną próbę komunistycznego zamachu stanu w 1965 r. – jako bodźca do zwiedzania muzeów antykomunistycznych. W analizowanym studium przypadku wykorzystano teorię ramową oraz użytkowania i korzyści. Wyniki badania pozwoliły autorom dojść do wniosku, że negatywne fabuły i sceny filmowe mogą zostać wykorzystane jako czynniki motywujące do podejmowania czerwonej lub mrocznej turystyki filmowej. Odwołanie się do takich teorii, jak teoria ramowa czy teoria użytkowania i gratyfikacji wraz z refleksyjną analizą tematyczną, zapewniło możliwość poczynienia unikatowych i wartościowych obserwacji teoretycznych, które mogły zostać pominięte w innych opracowaniach.


anti-communism museums, dark tourism, film-induced tourism, red tourism, Indonesia

Polish Keywords

muzea antykomunistyczne, mroczna turystyka (dark tourism), turystyka filmowa, czerwona turystyka, Indonezja


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